Oil Paintings
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Karl Briullov Russian Neoclassical/Romantic Painter, 1799-1852,was an internationally renowned Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism. Born of French parents in Saint Petersburg, Carlo Brulleau (as his name was spelled until 1822) felt drawn to Italy from his early years. Despite his education at the Imperial Academy of Arts (1809?C1821), Briullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Briullov. After distinguishing himself as a promising and imaginative student and finishing his education, he left Russia for Rome where he worked until 1835 as a portraitist and genre painter, though his fame as an artist came when he began doing historical painting. His best-known work, The Last Day of Pompeii (1830?C1833), is a vast composition compared by Pushkin and Gogol to the best works of Rubens and Van Dyck. It created a sensation in Italy and established Briullov as one of the finest European painters of his day. After completing this work, he triumphantly returned to the Russian capital, where he made many friends among the aristocracy and intellectual elite and obtained a high post in the Imperial Academy of Arts.
Karl Briullov Portrait of the artistand Baroness yekaterina meller-Zakomelskaya with her daughter in a boat mk149
1833-35
Oil on canvas
151.5x190.3cm
Painting ID:: 39536
X
Karl Briullov Portrait of Fanni Persiani-Tachnardi as Amina in bellini-s opera la sonnabula mk149
1834
Oil on canvas
113x87cm
Painting ID:: 39537
X
Karl Briullov The Last day of Pompeii mk149
1827
Oil and black chalk on canvas
58x76cm
Painting ID:: 39538
X
Karl Briullov The Last day of Pompeii mk149
1830-33
Oil on canvas
456.5x651cm
Painting ID:: 39539
X
Karl Briullov Genseric-s Invasion of Rome mk149
1833-35
Oil on canvas
88x117.9cm
Painting ID:: 39540
X
Karl Briullov The Murder of Prince andrew of Hungary by order of giovanna of naples mk149
1835
Watercolour on paper pasted on cardboard,heightened with white and varnish
35.5x25.8cm
Painting ID:: 39541
X
Karl Briullov View of the Island of Madeira mk149
1849
Watercolour on paper
19.9x24.6cm
Painting ID:: 39542
X
Karl Briullov Portrait of Count carlo pozzo di borgo mk149
1833-35
Oil on canvas
71x63cm
Painting ID:: 39543
X
Karl Briullov Portrait of countess olga fersen riding a donkey mk149
1835
Watercolour on paper
51.5x39.6cm
Painting ID:: 39544
X
Karl Briullov Princess yelizaveta Saltykova on a balcony mk149
1833-35
Watercolour on paper
44.4x33.6cm
Painting ID:: 39545
X
Karl Briullov Portrait of count matvei vielgorsky mk149
1828
Oil on canvas
138x97.5cm
Painting ID:: 39546
X
Karl Briullov Portrait of Yekaterina Semionova mk149
1836
Oil on canvas
80x59cm
Painting ID:: 39547
X
Karl Briullov Portrait of Yelen thon mk149
1837-40
Oil on canvas
56x47cm
Painting ID:: 39548
X
Karl Briullov Portrait of Ulyana Smirnova mk149
1837-40
Oil on canvas
90x71.5cm
Painting ID:: 39549
X
Karl Briullov Portrait of Count Alfxei Tolstoy mk149
1836
Oil on canvas
134x104cm
Painting ID:: 39550
X
Karl Briullov Promenade mk149
1849
Watercolour on paper
30x46cm
Painting ID:: 39551
X
Karl Briullov Portrait of Sergei Sobolevsky mk149
1832
Watercolour on paper
21.5x19.5cm
Painting ID:: 39552
X
Karl Briullov Portrait of Vasily Zhukovsky mk149
1837-38
Oil on canvas
Painting ID:: 39553
X
Karl Briullov Portrait of The Shishmariov sisters,Olga and Alexandra mk149
1839
Oil on canvas
281x213cm
Painting ID:: 39554
X
Karl Briullov Portrait of alexander strugovshchikov mk149
1840
Oil on canvas
80x66.4cm
Russian Neoclassical/Romantic Painter, 1799-1852,was an internationally renowned Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism. Born of French parents in Saint Petersburg, Carlo Brulleau (as his name was spelled until 1822) felt drawn to Italy from his early years. Despite his education at the Imperial Academy of Arts (1809?C1821), Briullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Briullov. After distinguishing himself as a promising and imaginative student and finishing his education, he left Russia for Rome where he worked until 1835 as a portraitist and genre painter, though his fame as an artist came when he began doing historical painting. His best-known work, The Last Day of Pompeii (1830?C1833), is a vast composition compared by Pushkin and Gogol to the best works of Rubens and Van Dyck. It created a sensation in Italy and established Briullov as one of the finest European painters of his day. After completing this work, he triumphantly returned to the Russian capital, where he made many friends among the aristocracy and intellectual elite and obtained a high post in the Imperial Academy of Arts.